A Canvas Over the Crack in the wall

Inspired by the Eunice Olumide’s essay “Programmed […]” from the book ‘loud Black Girl’


There is a canvas,

That depicts me as a the obedient ‘Mama’ of the south. Comedically unattractive compared to world Beauty standards, and unequivocally satisfied with her life, as the servant of the one who has gone With the wind.

There is a canvas,

And on it my body is curvy with pain filling my back rolls. My mouth is bigger than my head and it is Filled with rage, and my loudness transcends whatever age I might be.

There is a canvas,

With a cape on her back and scars on her front, she holds that weight of an empty wallet, and Unforeseen circumstances. Her family is considered “broken” but this inspires those who say that she Flies above all, onto the next challenge with her formidable toughness.

This next canvas,

Features lips, cheeks, boobs, lace fronts, lashes and all.

Phenomenally sensual and free.

And eye candy to the man who condemns with his mouth while his hands shake with excitement

And the bête noire to his wife who is the antithesis but loves to rock “boxer braids” in the

Summertime.

This gallery exists within the wide span of media but the small frame of our screens.

These canvases can be used to categorise at the expense of my demise.

Because I’m not familiar to their eyes, so I must not be… black enough.

Paint spreads onto the next and the next,

Causing layers to solidify over parts of the truth.

The paint is tough like I am

Supposed to be.

But what if submissive, loud, curvy, and sensual does not depict my phenomenality?


Am I too soft to wear the cape?

Too shy to be loud?

Too skinny to be sensual?

Do I even qualify to enter this gallery of what is perceived as a strong black woman?

These questions wonder my mind as I fade into the stereotype of who people believe I am supposed

To be.

As if us, without categories is terrifyingly wide.

A plethora of possibilities that the socially constructed mind can’t even begin to comprehend.

As if there is no time left to learn and accept absolutely all of us.

When do we grab the kitchen knife and neatly slice through each flat canvas to reveal the Multidimensional effigy of a black woman?

All shapes and shades.

All crowns and armour.


Expanding the colour palette of Brown skin beauty and transforming the picture of 100 synonyms into

A community of a thousand definitions.

Loudly and gracefully.

Showing the world that we are more than pain.

We are a foundation of joy, wisdom, and light, from matriarchs to minors.

by Abigail Tucker

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