Poetry

poetry is not a luxury. It is a vital necessity of our existence ~ Audre Lorde

Abigail Tucker Abigail Tucker

A Canvas Over the Crack in the wall

Inspired by the Eunice Olumide’s essay “Programmed […]” from the book ‘loud Black Girl’


There is a canvas,

That depicts me as a the obedient ‘Mama’ of the south. Comedically unattractive compared to world Beauty standards, and unequivocally satisfied with her life, as the servant of the one who has gone With the wind.

There is a canvas,

And on it my body is curvy with pain filling my back rolls. My mouth is bigger than my head and it is Filled with rage, and my loudness transcends whatever age I might be.

There is a canvas,

With a cape on her back and scars on her front, she holds that weight of an empty wallet, and Unforeseen circumstances. Her family is considered “broken” but this inspires those who say that she Flies above all, onto the next challenge with her formidable toughness.

This next canvas,

Features lips, cheeks, boobs, lace fronts, lashes and all.

Phenomenally sensual and free.

And eye candy to the man who condemns with his mouth while his hands shake with excitement

And the bête noire to his wife who is the antithesis but loves to rock “boxer braids” in the

Summertime.

This gallery exists within the wide span of media but the small frame of our screens.

These canvases can be used to categorise at the expense of my demise.

Because I’m not familiar to their eyes, so I must not be… black enough.

Paint spreads onto the next and the next,

Causing layers to solidify over parts of the truth.

The paint is tough like I am

Supposed to be.

But what if submissive, loud, curvy, and sensual does not depict my phenomenality?


Am I too soft to wear the cape?

Too shy to be loud?

Too skinny to be sensual?

Do I even qualify to enter this gallery of what is perceived as a strong black woman?

These questions wonder my mind as I fade into the stereotype of who people believe I am supposed

To be.

As if us, without categories is terrifyingly wide.

A plethora of possibilities that the socially constructed mind can’t even begin to comprehend.

As if there is no time left to learn and accept absolutely all of us.

When do we grab the kitchen knife and neatly slice through each flat canvas to reveal the Multidimensional effigy of a black woman?

All shapes and shades.

All crowns and armour.


Expanding the colour palette of Brown skin beauty and transforming the picture of 100 synonyms into

A community of a thousand definitions.

Loudly and gracefully.

Showing the world that we are more than pain.

We are a foundation of joy, wisdom, and light, from matriarchs to minors.

by Abigail Tucker

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Maria Maria

Black Magic

Girl, the masses called her

High

Priestess


of Soul, in an interview she air

quoted cuz her world isn’t limited

even when flung from it

by labels or to go as far

to say

language as a whole , I’m talkin’

‘bout Nina

you know Simone, bless her invested soul


other worldly, always living in more than on and yet

10X more experienced in her 3D body, never a concern for the material

meaning, language is limited

she means

well, she would’ve liked to go home

walk the streets she performs for


and not be robbed, be laughed at later

for explaining the lack of change


be paid for her lip

service, an equal split

check her back & have a hand on it

what year is it and equality is still

a thing of the past, present, & future tense fist, she was tender in every circumstance except for song, there’s no time

to sugar

coat


talent comes with conditions

period dot


dot dot she never signed up for


a life of misunderstandings, she wanted

her name,

stage to call her

own like a kid possesses stuff-


ed animals & everything they can

hug, doesn’t every woman in this industry? The rigid masters degree of backlash it takes

to achieve like attending a real university


black magic vanishes

if the voice box is suffocated, isn’t that right, Nina? Rise if it’s true plants will droop, elevate ‘n

die depending on


the music played

around them. i watch


what I play in public, but nature

urges me to pay attention to frequencies

in private too, I’d whisper

if it’s facts to my hand-


glued crystal Tillandsias in my mint

-green room, but none got through

the thick of Michigan

winters. Rose


quartz is pretty to pinch and admire,

but let’s face it, the color is what we all

grab her for like an object, no power in that

movement, ask our former orange-flesh

President of U.S via his twitter

handle, what he finds pleasure in

grabbing, the colors he can’t see

working It’s magic

on the human race

no situation is purely black & certainly


not white, this race lives in their pink

matter too much

who said

a black heart couldn’t mend

a strung out time-


line, who said time

matters at all when art is

a perpetual


necessity, people

pick up poetry like


Nina


wasn’t playing lyrics, wasn’t playing

was she? No, she was


living the times on key.

Always on key. Black & white.

by Maria

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Sheba Montserrat Sheba Montserrat

The Invitation

There seems to be some confusion

An historical false conclusion

As to why The Windrush Generation

Had a sudden inclination

To leave the sun

To cold, cold ‘inglan

From 1948 to ‘71

News reporters from the past

And until today

Tend to run up their mouth and continuously say

That Caribbean people

Came all this way

In search

of a better life here!

For a better life is partly true

But what I want to say to you

Is that I take issue and want to review

The stimulus that brought them to

Britain.

The details need to be

re-written!

They came, because…

they were invited.

Let me recap,

Because I like to be exact,

The motivation,

The stimulation

Was a

Post-war Declaration

Announcing

That Britain,

The Motherland…

NEEDS YOU!

So they answered the call

and travelled,

with personal dreams too

Let historical detail

Hereby be righted.

Caribbean’s

Crossed sea and ocean to Britain,

Because

they were

INVITED!

by Sheba Montserrat

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Abigail Tucker Abigail Tucker

What Place do Books Have?

Reading is liberation from ignorance.

It’s redemption

And draws attention

To experiences through new or familiar eyes.

Picking up a book took curiosity and courage

Reading it took patience.

A relationship is formed with the speaker when we dive into their world.

The writer takes us on journey as we tango over arches and status quo’s, all the way to the last page.

Where their catharsis ends and my desire for assimilation begins.

My world shifted when I entered the realm of shared experiences,

Perceiving that the things we share are often more important than things we don’t.

Black writers helped me decipher the relationship with my skin

And the sour taste of our culture that stretches across seas and purifies dreams

In little minds.

Those stories were birthed from real experiences in their time -

Over 50 years later a young Black British girl was experiencing something similar,

And I saw her in those chapters. Her silence was loud.

A book gave the gift of insight into the “angriest black man in America”.

The first read was eye opening and the second was almost like recalling a moment from memory.

We pass down these books like passing the figurative baton to those behind us.

Seasons of knowledge for potentiality to bloom into greatness,

And how will I get to use this?

The way a writer conceptualises and shares, is miraculous

Strengthening bonds between generations.

Personally,

Reading books is like holding hands with history,

And recognising the seeds that are growing in my present.

History, no matter where or when it takes place, replicates.

Therefore, truth telling leaves room for genuine connection

So that obliviousness does not consume us.

The place books have in my world is crucial, and

Holds a purpose that is greater than me alone.

by Abigail Tucker

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Maria Maria

Mhm. Yes, Of Course

I’m still here. listening. I’m not

sorry

oops, that’s overused. Tell me something

better. Sounds

good. Hmm, mhm. I’m listening

Yes, queen. Bees buzz

past my black, light

absorbing pupils like Face-

Time. Ring ring, rainbow wind

chimes. Listening to the unnamable birds with two tapping

thumbs on the screen. Blues. Feather


head. Tweet tweet. Look it up or down

scroll some more. Queen E bye bye


birdy. The throne is so blue from up


her(e) blue j-


ust like the sky. No one knows

why, we just daze on and forget to admire the canvas

as it alters

before our red, dormant volcano

eyes. Bedhead even when brushed

for the day. The realist


objects are responsibly writing themselves


outside of this plane’s flimsy limits.


Lavender air in spring or sapphire summer is just like a present

poetry collection (unfinished when on

view for the world), lemon scents inviting us

to scratch the surface, and land


upon golden pollen & & & this grand rising

of the chest can combat pollution if you would please

let it out w/out force, honey.

by Maria

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Sariah Lake Sariah Lake

Blue Beyond

we cry for our mothers

as we one day learn

that being confined is luxury

that there is beauty in training bras and peel off polish

in sidewalk chalk and dollhouses

in visiting womanhood as one visits the beach

something to dip your toes in

to swim in,

let cool the rushing heat of your preteen hunger

of your thirst to be grown and taken serious

to sip of, and decide that blue is pretty enough to stomach the salt

but there was always something to reach for

your age, your youth

a dock behind you

when your small light limbs grew tired of fighting current and making desperate waves

there was always land

until one day you reach back

and you find splinters

and blue

and blue

and blue

by Sariah Lake

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Chihoro Chihoro

Times Like This

There are times
Times like this
Where I yearn for the law of the streets
I am by no means versed
But based on the evidence I have gathered
From Bonnie and Clyde
And Power
And Breaking Bad
And Scarface
Justice actually exists
On the streets
Not the PC powder puff
Farcical justice
Being pandered to us in the courts
No, the sweet swift brutal justice
Of our ancestors
That meant one had to actually pay
For ones own crimes
Let's just say they got it wrong
Forty percent of the time
There are times
Times like this
Where I'd trade for that
At the drop of a dime
As my brother gets in from his night shift
As my lover leaves my arms this morning
May our ancestors protect him
Please may he not be
Yet another victim

by Chihoro

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