Poetry

poetry is not a luxury. It is a vital necessity of our existence ~ Audre Lorde

Forest Forest

Untitled

I find it hardest to write 
When I’m happy 
When my emotions are stable
Chemically balancing 
Stimuli vanishing 
Feeling much less like therapy 
And more of a challenge
One comprehensive mountain climb 
Melancholy is a tonic 
That only the sad comfortably stomach 
Makes the jolly man vomit 
Maybe it has to be this way 
Maybe I must 
Absorb myself 
In it’s state
Maybe by ruminating 
Too hard 
The happy would erase 
I fear to dissect it 
Lest it turns to dust 
And I adore it too late 
There’s a transparency 
In those windows 
Riddled with mildew 
That the happy glass
Doesn’t have
It I struggle to see through 
I wish to able to to find 
Inspiration 
In sunshine 
In rainbows
In faerie gardens 
In flowers that sit in pretty rows 
But I only know how to really
Talk 
Speak 
Voice 
Debate 
Pain
And how it freezes you 
How the downs in life 
Reduce you
Like a jeu 
But produce the best in you 
Too
I want to swing from rafters with glee
And write about these things 
Unapologetically
But the human in me 
Sees happy as 
Defeat 
As far too neat 
Not abstract enough 
Not deep 
When I’m happy
My grasp on language 
Simply retreats 
Maybe I’m stuck believing 
Torment is living 
And contentment is giving in
And that’s why these happy states 
I don’t stay in 
I can’t hold my happy too tight
Or like a butterfly it just might 
Fly far far away
Out of my sight 
So I keep worry to the side of me
And despair in my pocket 
So that when I’ve lost it
That joy
That harmony 
When from it I’ve been accosted 
I can slot right back in 
Back into the gloomy
Semantic glory 
I know best 
The safest kind of nest 
And lay my writers block
To rest

by Forest

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Leya Kuan Leya Kuan

The Fall of 2024

Today I tried to write again, but my mind is empty and 
So are my hands; I have spent them all away, on 
Blouses just to prove that I lost a couple of pounds,
And bits of some things to show myself that I have more
Than a couple of pounds—my mind is far, far away, and
Yet—but—so—and—half of me has been here to bear
Witness, to bare what is left of me before it all chips 
Away, a way to remember the words I have used only to
Pour the ink all over the curves and blur it all back 
Together, but at least this is what remains, and what is 
Left of me, the last bit of common sense that I will 
Never use, from the beginning to the present end. 

I am still young, I tell myself, and there is still so much 
Time left in the world, all of it, time enough for only
you and I, in the lateness of the morning and the early
Beginnings at the end of the year, but every candidate For my affections brings this old feeling that only you
Bore, by land or by sea, whatever it is, there is still 
Distance by heart or by proximity, so I keep ringing up 
The couriers and reminding them of my free shipping, 
I keep calling you up so you know that I am living, who
Cares to live if it is not for your love? Spill that apathy 
From my lips to your faithless country, spit that venom
From your faith to my fate, let it go every time we touch. 

Today I remind myself that I am a writer so I must write 
But I have given all my words away to the garden of 
False fairies and godless gnomes, I claim it’s charity but
I truly only need a facade of generosity for my vanity, 
I let myself believe that I have kindness in my heart, so
I may put myself to sleep in the belief of my purity, 
You have robbed me of my sentences to string you 
Along, now there are no more words to fill up a meaning
And there are no more syllables to make up your song, 
You have judged to sentence me to a silent misery, 
If there is some regret in you, may it chain you to every 
Inch of the servitude that I once volunteered for you. 

I carry with me my words and our noises, I recite it with
A couple thousands steps along the way to put me in 
God’s way and to my own ease—if physicality is your
Intimacy then you must be as pure as the Madonna, if 
Words are my intimacy then I should be as filthy as any
Other smut on a whore, but who are you to fall to your 
Feet and declare yourself my friend? And who is he to 
Turn on his feet and become a heartless foe? Call it 
What you want—whatever lies you may tell yourself 
And wherever your heart belongs, whoever you are 
Holding me now in your hand, I know a thousand 
Poems cannot save me anymore, more than ever before. 

by Leya Kuan

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Leya Kuan Leya Kuan

You are Just a Friend

Every lie you tell me belongs in Heaven 
and every shred of truth can go right down to the depths of Hell—pour it out of half my soul and fill up your cup
Just because you are just, just because we only are just, 
You make me nineteen in the same way you are, you 
Bring me back to the childhood I lost when I was fifteen, 
Stop the time and stop that man! Stop it all at the line, 
Can’t we just be alone with no other entity to prey upon 
Us? Can’t we be left alone on our own without a prayer?

Maybe I will never be her, I cannot love you because 
Someone else got to get to you first, but there is this
One beating in my heart that I cannot put to a feeling, 
But how nice that she got to hold you in her arms and 
Declare that skin hers to feel to a fault, I get to hold you
Too but without a word to hold me accountable, even if
I am content with this worthless warmth, Winehouse has
To warn me some waiting urgency, that my heart will 
Break for you every time, just because I am/was not her.

And as much as I dream and delude myself into 
Believing I am some film star with a camera trailing my
My lines and my moves, you will remember that certain
Part of me that no one else will bother with, no one no 
More, the more I feel, the more I would like to forget, 
I write this in my underwear, I do not let you look
Under where my truth leads to, there is nothing more 
Than what meets the naked eye, I am so predictable that
Everybody already knows, everybody talks as if they do. 

Whatever you want to call me, love, or Leya, 
Let me fall in love alone and mend the heart you did not get to break, it is not your fault that my days are filled with you, even worse when my days have no hint of you, 
Have you the courage equal to my desire? I clap with
One hand tied behind my back, fingers crossed, in 
Anticipation or to relieve me of any red herring you laid
Out for me to trip all over, I could swear that there was 
Someone for me to love, another Troy for me to destroy. 

by Leya Kuan

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Chandra Persaud Chandra Persaud

A Writer’s Prescription for Unexplained Aches

A large dose of words—
by candlelight and in patterned socks/ to be
found on a shelf within a strong spine/ or passed
through lips/ in song/ chant/ prayer/ apology/ in a 
coffee shop with your friend with kind eyes/ cradled
in your lover’s arms/ a large dose of words/ large enough 
to fill pages in blue ink/ or overflow your kitchen sink/ repeat 
until you see emerald grass and a sapphire sky/ until the night 
air is not hungry for your blood/ repeat until the weight of the 
world lifts from the small of your back/ until each word lays
a brick for the house you needed since your bones were young

by Chandra Persaud

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Alistair Gaunt Alistair Gaunt

Breaded Chicken Fillet with Egg Recipe

Trigger warnings: implied eating disorder, body shaming 

One: boneless chicken breast–spineless as you are. You laugh at the shadow of my reflection and yet you loathe yours; you simply cannot bear the sight of your own face dawning upon you. How does it feel to be wretchedly cruel, to the world and to yourself? Two: marinate Italian style. Ride the yacht you cannot afford and come home to your two-storey apartment paid with dirty money. Speak a language you cannot fathom. Call me when you need me, between the lines of “what does it all mean?”; let me ask you the same: how did you mean it all? Ridicule me, please, for not believing in a god that let your most beloved pass as though their existence were disposable. How can you live with it all, carrying the weight of your words like twisting a dull knife pierced into my wound? I make it all about me, don’t I? (I do, I do, I do) If I make this about you, will you forgive me for my untamed wit they all keep chasing me for? Three: eggs. The first crack in the shell is in the image of you crumbling beneath the lightest of pressure. The unfamiliar has always been daunting, hasn’t it? I wonder if you think of me now, between the lines of the poem you so desperately try to comprehend, yet it remains unbeknownst to you. Where has your brain gone amidst all the facade that is your beauty? Does it hide beneath all your grandeur? Four: garlic. Freshly minced to perfection. You do have an eye for it, don’t you? Every crevice of my existence is a sin for yours. All that I am was a pitiful cry for help; the girl meant to be at the back of the photograph—were their preening eyes enough to make a saint out of you? Serve on a sizzling plate. Hot and scorching and burning through your bones. It was debilitating to be known by you. The love I know of now at the touch of my fingertips is a far cry from the grasp of your cold hands. Let me devour what I deserve for it is all mine—none of the food in your mouth is ever worth digesting. I am sorry for choking you with a love you never deserved. I have learned my lesson to not swallow things I cannot fit in the roof of my mouth. All of it now is teeth and gums–a vision you would surely die for. Wallow in the limelight of my glory, would you? The pleasure is all mine.

by Alistair Gaunt

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Kamilah Mercedes Valentín Díaz Kamilah Mercedes Valentín Díaz

I will not swallow the mothballs you try to feed me

I am at my softest physically and mentally
and that makes some people uncomfortable
(with themselves).

Statues of aphrodite reveal that the goddess of beauty and love
had some meat on her bones, as do I,
but I know I am not the West’s ideal type.

Maybe that’s why I’m not allowed to take up more space.
Maybe that's why I’m given less room to wiggle in.

My ass and tits have grown a bit
when it happened; I didn't realize that it was sacrilege.

I wonder what Taino deity represents beauty. I wonder what she looks like.
Is her hair long? Does she view herself as a her? Does she think she is beautiful? Or does that assessment come from others? Does she even care for beauty? Or is it just a known part of her?

I’ve gone through a metamorphosis and came out the other end thicker.

Who says the caterpillar must become a butterfly?
Maybe I’m a moth.

I like my softness, it makes me sturdier, and don’t we all need some padding
from the beatings of this world
from the beating of our own hearts
from the beating of the drums that tells you to get back up.

The butterfly is drawn to the flower.

I am drawn to the light
in the darkness.

by Kamilah Mercedes Valentín Díaz

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Giesle Thompson Giesle Thompson

BLOOD SUCKING SUCCUBUS

You’ve stuffed my heart with empty words
Fatten and full, ripe for picking.
You’ve eaten the hearts of all those before me
But you won’t eat mine.
You’ve bitten, nibble, sucked,
No more than a mouthful
But you won’t fill your belly on me.

Find someone else to roll over,
Crack open their ribs and feast on their soul
Fill your desolate tank of broken hearts,
But you won't get mine.
Not over my dead body
Or my blood-fattened heart.

by Giesle Thompson

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Giesle Thompson Giesle Thompson

PENT UP

I wanna rip every fingernail out from beneath
my skin and stick metal screws in their place
I wanna throw punches through a wall
with the temperament of a white man
as I watch the nail slow jam their
way further into my finger, so I’ll
Have a reason.

All I need is a reason.

I wanna slice open my skin and pull back
Each layer of fat and a muscle, rummage
Through each tendon until I find the veins I’ve never seen
glow through the first layer of my skin
And pluck at my veins until my heart stops,
So I’ll have a reason.

All I need is a reason.

I wanna rip my jaw clean off my skull
then people will finally fucking listen to me.

by Giesle Thompson

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Giesle Thompson Giesle Thompson

MARIGOLDS

“You’re worth more than marigolds” but less than your shoes. Footprints left on the petals of my skin and the roots of my mind. Brittle and bruised, picked and used by you. Absent of any light or hope, I’ll wait for you. After all you put me through, I’ll wait for you. You planted yourself next to my self-worth and shouted “Pick me, pick me”. As soon as I took you back, you bruised me. A wilted flower in a pretty garden, no one will want me.

by Giesle Thompson

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Katherine Zhao Katherine Zhao

I. won’t. wither.

When my husband turned 70
They gave him a cane carved
with the body
of the red-winged sparrow.

I was left
with dried lily petals
melting into my tongue
as I peeled
hardened skins of summer
grapes beneath my fingernails.

When my husband turned 75
He brought a dancing girl home.
Her name sounded like
"Red-tipped carnation of the West Wind"
She plucked the seeds out of
spring strawberries
with slender twin fingers.

When my husband turned 80
He filled my bowels with
cheap white wine
and forced me to sleep with
alley-way cats.

I shared a feast
of rotting salmon and fishbone
with the blind black
tiger.

When my husband died
Our son carried me upon his back
to the Forest of One Thousand Whispers
He set me beneath the eldest oak
Kissed my spotted cheek and
bade me a tearless farewell.

Still,

My legs entwine
with the roots of the
great Oak, my fingers take the flight
of ten thousand cerulean
swallows
My lips form the
babbling brook of the east meadow
as my eyes turn to
seaglass
beneath unturned stones.

I. won't. wither.

by Katherine Zhao

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Karolyn K Smith Karolyn K Smith

Sacred ground

What is sacred ground?
Is it a ground steeped in rituals —
poured libations penetrating earth
finding routes to ancestors and memory?

Is it a place that holds the dead
or once-dead?
Is it a place where spirits walk
haunted by the irreverent nature
of those with flesh and bone ?

Is this body a sacred ground?
Does it remain sacred if others
have exploited,
treated it like a mining ground
emptied it of treasures,
planted seeds of death –
Left it hollow?

Is this body still hallowed
if no one is there to say a prayer
for its healing?

(my tongue has found no language yet for healing words)

If ancestors don’t hear it’s cries
to find their way back
to this body

to gift it flight

and
grounding.

Is this body still sacred ground if it’s not seen?

by Karolyn K Smith

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Karolyn K Smith Karolyn K Smith

My body in your mouth

Baby fat:

To my mother you say:

she cute eeh,
watch har likkle chubby cheeks
and chunky thighs
I could just love har up.

I coo and smile, not understanding.

Pickney tings:

To my mother you say:

yuh never breastfeed har enough,
look how she look malnourished,
mawga bad bad; look how she tough?

I look down at skinny legs,
skinny, strong legs,
skinny, strong, brown legs
that let me run from boys who want to touch what’s not theirs
that lift me up into trees that girls
shouldn’t climb
that make me keep in step with
my granddad’s long strides.

I was confused.

Force ripe:

To my mother you say:
pickney nuh fi get breast so soon
smaddy must a feel dem up;
go get har checked out –
mark my words.

I look down at the bumps
raised higher than welts
nipples protruding beyond the swells
my tears rolled off them
like waterfalls over mountains.
I do not understand my body’s changing
I do not want this change
I squeeze them like pimples
they do not burst
but keep growing like
ripened fruits upon my chest.

I do not understand this change in my body.

Grown:

To me you say:
When di baby due? Di belly look round eeh.
A hope a nuh girl pickney yuh going have –
dem gi too much trouble fi raise.

I look down at my belly
empty of womb –
the site of life
and death.
I look at its softness
the rolls that shake
when I belly laugh
the joy that bubbles up and can’t be contained
the rolls that shake when I dance
when no one’s looking
the rolls that lovers hang on
to for dear life
when riding that high wave.
I smile,
I understand.
my body
that holds me up
it brings me joy
and pain in equal measure
it is a source of beauty
and shame
But it deserves to be loved
every inch of it
deserves all the sweet
and empowering things to be whispered over it
etched on it like a mural.


I reach over to you
I part your lips,
gently at first
(you are surprised)
I put my fingers in
then my hand
I grip firmly on to your tongue
and rip my beautiful body from
your mouth

I understand:
my body has no home there –
there with its putrid lies.

I leave you tongue-less and bloody
grabbing at your throat
missing the way
my body used to sit in your mouth.

by Karolyn K Smith

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MG MG

Happiness Hurts

They say happiness feels like the warmth of daylight seeping in through your skin. Embracing your bones, and turning your heart into a mushy puddle of delight.

They say happiness is yellow.
Bubbly and bright.

They say happiness smells like cookies and cupcakes, and a plethora of flowers blooming between the butterflies in your stomach.

They say happiness is the laughter and smiles you share with your loved ones.

Lingering. Heartwarming.


If so…

Then I never knew this thing called happiness at all.


To me, happiness felt like a dream trapped in a distant screen.

Like the reflection of the moon upon the still water surface.

Visible.
Impossible to touch.


Like scraping a rock with your nails desperate to feel.

Close.
Impossible to accomplish.


You will only be left with blood and mangled fingers.

You will only be left with an aching heart and a hollow chest.


How wretched.


It was merely another thing outside my grasp.


Exist to tempt.
Impossible to get.

by MG

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Garfield Chow Garfield Chow

The Clit and the Ears

My clit doesn't function
and never will,
for it’s not down there it grows
but in my ears,
my alter vaginas, the real ones
who know better to take thousands of lovers.
Nothing needs coming in,
not even an earbud
brushes.
Good chords suffice
with the right beat.
Out, out, bloody mucus, bloody men.
Better fuck my Music
than fuck myself up yet again.


This poem has also been published in Tentacle Poetry Vol. 2, a quarterly poetry zine published by Peel Street Poetry, Hong Kong, in October 2021.

by Garfield Chow

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Timsal Fatima Timsal Fatima

Dear Mom

Dear Mom, They keep me safe here It’s not worth knowing that They’ve chopped my hair I look like a boy, now But My flesh is fragile, still At night

Dear Mom,
They keep me safe here
It’s not worth knowing that
They’ve chopped my hair
I look like a boy, now
But
My flesh is fragile, still
At night
The cold water freezes my nerves
Do I have a choice of not washing their dishes?
Had not my bruises remained raw,
I’d have waited to write
Their ointments are
Guarded by grandeur
Even when my blood
Shrieks out of my skin
Even after all,
They keep me safe here

by Timsal Fatima

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Anahi Cabrera Anahi Cabrera

Blue tutus and pink cleats

A stranger stares back at me when I look at the mirror. A scar I don’t recognize. Yet I know very well. A stranger looks back at me as I was up and stare at the mirror.

A stranger stares back at me when I look at the mirror.
A scar I don’t recognize. Yet I know very well. A stranger looks back at me as I was up and stare at the mirror. Movements following mine, and somehow it’s different.
A frown in place of the smile I try to muster as I glance at them.
Their hair, cut shorter than what is deemed normal for someone like me. And I am jealous.
Jealous of the fact that I can’t stand mine to be long,
And yet, if it were cut,
It feels like something is ripped out of me.
I wake up sometimes, and the stranger is gone.
But I still don’t recognize the figure in front of me.
So familiar, yet so odd.
They smile when I forcefully smile.
Which is a plus. I think.
And they have that aggravating hair.
It’s bearable to look at.
I don’t throw up.
Which is a plus.
I wake up in panic.
And I can’t breathe.
I can’t see the stranger or the familiar figure.
And I feel like my insides are being turned.
Where are they?
It’s terrifying. The idea of them being gone.
Why are they gone?
When I can’t find either of them, I feel like vomiting.
A sense of despair clings to me as I stare at the blank mirror.
No one is staring back at me.
It feels like my lungs are filling with water, and I am drowning. Drowning in this nonexistent sea.
Trying to float, and yet I can’t.
Because the more I try, the more I feel like I am sinking.
Sinking with a heavy nonexistent ship.
And all I can hear is static.
Numbness all around me .
Making me wish I had drowned.

These are the days I avoid mirrors.
I avoid the color blue and the color pink.

Which makes me feel like I’ve been hit by a train.
Except sometimes it feels like a train is a lighter punishment, Compared to what I feel.

It lasts days, before the stranger comes back.
And I don’t know whether to be elated or enraged.
Excited that they’re back, that they are there,
That I don’t have to do this alone, or angry.
Angry for not being normal.
Despite feeling relief that they are back, I avoid the mirror for days. Before I can get comfortable with who’s staring back at me. Features different from what people call the norm.
Yet blinking when I do.

Brushing their teeth when I do.
And it takes days for me to get accustomed to it.
Days to not look at him and shout in anger and frustration.
Because why do they get to be like that and I can’t.
Yet when I do get accustomed, he is gone.
Gone like he was never there, and is replaced with her

The ‘normal’, yet unfamiliar face staring back at me.
Dead, soulless eyes.
Eyebags for days.
Sporting the same defeated look I do.
And I don’t know whether I should burst into tears,

Because finally, it’s kinda normal.
And yet, the look she gives me makes me feel disgusted.
I don’t like her. And yet I am glad.
Glad she’s back, and I’m normal.
But I’m still in that void, a dark void.
Filled with unopened Barbie dolls and new soccer balls.
I’m still chained to that void. Unable to move.
The strangers pulls me to him, but I am tired, tired.
Too tired to move, or eve breathe by the time he gets close to me. She drags me back, but I claw away, or at least try to.
I can never put up a good fight.
The days I get pulled like a game of tug of war,
Are days I fee like I will vomit.

Yet I don’t despise them, no matter how much it hurts. At least they are there in the mirror and I am not alone.
It’s the days I am left in the middle, all alone, that it feels like
I am sinking and that mud is filling my lungs.
It gets hard to breathe, and I feel like every inch of my strength is zapped.
As I try to look for him and her.
I’d rather vomit, than be alone.
Being alone is scary,
Not seeing them staring back at me in the mirror.
It’s terrifying.
There are days when it becomes too much and all I can do is cry.
Because the stranger is there when I wanted her to be there.
Or she’s there but I wanted him there.
And I can’t do anything about it. I can’t do anything about the sensation I feel
Of wanting to shed my own skin, because it doesn’t look right.
The parts are different.
No matter how much I cry, I can’t do anything about it.
Because it’s not ‘normal’.
But what exactly is normal?
I don’t know.
All I know I is that often times I wake up with a stranger in the mirror, and other times with a

familiar, yet odd figure.
But nothing is more terrifying than waking up and neither is there.
Because if they’re not there, what am I?
I would rather feel like vomiting when I stare at the mirror,
Than feel like I am being drowned by mud.
Hopefully one day I can muster up a real smile to whoever is staring back at me.
And we become friends.

by Anahi Cabrera

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Denise Denise

being a girl is a wasteland

I like being a girl But sometimes at night I try to remember what it was like To breathe without weight on my chest

I like being a girl

But sometimes at night

I try to remember what it was like

To breathe without weight on my chest

The weight of imposed motherhood

Imposed like a visitor to a house

The kind of visitor you don’t want to come in

But if they force themself in

It’s your fault

Because your house is a provocative colour

So you were practically asking for it

So there’s blood running down your legs

Could be nature or nurture

Nature of my body that has pain built in

Nurture of boys

Boys who will be boys

But not all of them

But nearly all of us

Or nurture of beliefs

That what’s between my legs

Says anything about my purity

Fuck purity

Stop associating femininity with purity

Why do we act as if femininity is this soft delicate thing?

When we all know it’s not

It’s a war you didn’t enlist to

A bad dream you don’t wake up from

It’s a wasteland where flowers aren’t allowed to grow

It’s obligation to hypothetical men and hypothetical babies

It’s playing a rigged game

Where your chromosomes rolled a double

So you lost before you even got to play your hand

It’s your body being deemed public property

By people who don’t know you

And being given dead flowers

By a boy who forgot you had hay fever

So you’re crying and you’re sobbing

And you’re screaming and you’re shouting

And you’ve lost your voice

When you didn’t have one to begin with

And all you have left is flowers and no say

When all you wanted was a wasteland and stinging nettles

So you could breathe easy

by Denise

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Hannah Hannah

Miles in my skin

These are mine – they are the breadth of the world and the length of my life.

These are mine – they are the breadth of the world and the length of my life.

It is the arcade tickets in blue that now look brown,

And the movie stubs, creased and torn in two

That let me know I was ever there with you.

I have created space in every wallet, every room

To make sure your things were never absent

To cherish our time spent.

Until ‘you’ meant someone new

And I would cry when I found I could create new spaces to fill,

Reminding me of the strength my hands had

To build new drawers and keep moving forward.

Some things I lost on my travels and I am even glad,

(Not having them makes me remember more)

To not carry much with me when I explore.

But tucked away, under thorns and brambles, as often as I can,

I look under them to see if I can find anything more to know about you.

Though you are galaxies away and I no longer see them in your eyes,

It is the moon that recalls our last goodbyes.

And it is a pity I have nothing else to remember that by.

by Hannah

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Amaya Branche Amaya Branche

“we’re not alone”

4.10.22

[ i experience ]

a restless synesthesia of sensations

my soul its own dimension

of loosely woven associations

And

nuance

sometimes i think i pay a little too much attention

my jaw perpetually clenched

strained by the daily omission

of ineffable prose

so today i embrace my sensitive observations

indulging in the union of all things

i notice what’s not necessarily there

i talk around and not through

i challenge claims of irrelevance

and forever hold

that “far-fetched” is a cowards favorite word

because yesterday i felt seafoam green

And

this room smells like winter

And

my skin squirms like earthworms

when i see bumpy trees

and that’s the only way i know how to put it

my love language is longform

i let my teeth tear away at the succulent flesh of a cherry

and savor it as i would a lover

picking their brain before reaching their core

the juice dripping down my lips as it fountains from their hips

a delicious mess

i don’t just take note

i see the universe in you

i think in words

i speak in pictures

i feel sounds like textures rippling through my veins

i walk backwards and run forwards

And

i am never satisfied

i am the consequence of an infatuation

prolonged

by a silver tongue

and resulting miscommunications

so it is in my nature not to be straightforward

pheromones released and a love drunk mistake

bore me:

a curse from the cosmos

an /enigma/

to the masses ;

[ [ a living, breathing retrograde

] ]

- A.

by Amaya Branche

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