Poetry

poetry is not a luxury. It is a vital necessity of our existence ~ Audre Lorde

Sariah Lake Sariah Lake

a woman (first) & a writer (last)

he puts pretty stones in my pockets

the ones to make me smile

they pull me to the earth

i am low

i am heavy

i can no longer be beautiful

when i want to be listened to

i can no longer have pretty lips

when i want to make them move

by Sariah Lake

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Grace Blessing Grace Blessing

Treasure your worth without measure

Seek to be worth knowing rather than being well known,


Since thats the beauty of letting your true essence take the throne,


Quality over quantity because the company you keep will help you flow towards your growth,


Circle carefully radiused makes it hard for any thorns to edge inside your sacred home.

Seek validation from within as that way you will always win,


The grooves, curves, scars and even the imperfections you may want to change; Is what makes your beauty truly radiate!

Finding comfort is promoted as an uncommon lane,


But appreciate the skin that you are in;


Remember we are not all meant to look or behave exactly the same.

If societal constructs or media platforms were non-existent today,

Tell me; Would divide and conquer still underplay?

by Grace Blessing

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Maria Maria

Nina Simone Was a Force of Nature

Maybe that’s why everything she did

canceled out


the divine feminine

her call remained on silent

fans handed her

nature to pay her after shows

as if it showered her

in love, summer rain some-


thing she never experienced at home growing up, the mark of a true artist is they never intended

to be famous and then they get labeled crazy for loving

what they do, some do end

up, but she will never

not be crazy

talented in my charcoal eyes

bouquets and

cricket

claps

that sprinkled


incremented nourishment. Yes, seeds & overcrowding weeds her hands slaved in soil, black

on the surface and even further

down


the road her parents paved


for a family tree of burned bark, brown

wading through the saffron

dandelion fields, eating


sour fruits

of their labor, sickening

howls for money to hold


a love she never was around

growing

up to keep her

apartment from crumbling,

this is the ugly part offstage

where an audience partitions

artist from Art is the starving,

the daily news


feed, sees a person as purely an image

Venus fly trap she was predestined to

nurture the feminine thirst, undeniable

will to feed to quench, indeed,

she had the mother


load, pockets full of

blaring blackness glaring back at her

tar-coated trust almost so dark

becomes invisible paper


bag over face, cover like Claudia

Rankine’s black hoodie

figure against a stark

white background, back again

mistaken for a creature


no choice, Mississippi

Goddam, kick cans in


a crumbling city until it’s

rebuilt with revolution, footfalls

eery echoes the immaterial

that sustains

trashed pothole


streets, riddled with plastic

people, washed-out, watch out


she will point trigger fingers if you stand

in the way of her


first love, Bach

weathered concrete, vermon was the man

-made ever two-way in giving, supporting

the soles? She asked no


one in particular.

No cents at her feet, not even a dirty penny. We could waste time


by listing the basic living swept cunningly from her soles, those rich roots

command

to be secure, an Earth Song 2.0

instead of their strength ravaged

all she wanted was love from the ground

up.

by Maria

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Chihoro Chihoro

Why Does My Body Hate Me?

Electricity courses up my left leg
Leaving a trail of static
That plucks at random strings of sinew
Water droplet slides down the side of my face
I go to wipe it away
My hand comes back dry
Formication
My brain is cheating on me
With my senses
All the while
The bones in the balls of my feet
Grind into the concrete
Despite the padding of the insoles
Jammed into my shoes
Another pair to despair
All the while
The muscles entwined
Beneath my right scapula
Pulsate with a dull ache
And my teeth unconsciously grate
Why does my body hate
Me?

by Chihoro

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Rae Lee Rae Lee

On Father's Day I dreamed about you

On Father’s Day I dreamed about you


Nearly a year has gone by


And I’ve thought of you maybe a handful of times

With each passing, intrusive thought


I roll my eyes


And continue my day

But


On Father’s Day I dreamed about you


I dreamed of all the things I’ve wanted to say to you

The profanities I’ve buried inside for nearly a year

All came bursting out

Each syllable leaving my lips


Sharpened and piercing you


The way your lack of words have pierced me

On Father’s Day I dreamed about you

At the end of the dream


You drove off


Crying and pathetic

No apology


No embrace


Just driving off


Again without a word

Abandoning me

It’s not new


Should be used to it

But still


It hurts


And


I hate you for it

I want to say that I could forgive

For your inaction and bigotry

But I never will


Even if we reconcile

I will never forgive you

On Father’s Day I dreamed about you


And I woke up


Not relieved for finally getting to say all of those words to you

But sad

Because it was only a dream

On Father’s Day I dreamed about you

And I hate you for it

by Rae Lee

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Sariah Lake Sariah Lake

Seventeen

they will never have you like this again

pretty and fresh

empty stomached, open palm

you are adventurous

having been nowhere

drunk on life

but cannot buy a beer

they will write songs about you

and wide eyed you will listen to them

eat what they give you from their hands

make their little a lot

their nothings into somethings

and in turn they will call you woman

to hide how much they like you as little girl

they will never want you like this again

pretty and easy

painfully, blindingly easy

seventeen

by Sariah Lake

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Chihoro Chihoro

Finally

I'm finally becoming a fan
Of my own
After centuries
Of indoctrination
Of misinformation
My love for my own
Has grown

I'm finally becoming a fan
Of my future
After decades
Of trepidation
Of catastrophisation
It appears times better
Will enter

I'm finally becoming a fan
Of my past
After years
Of confusion
Of humiliation
I've raised my mast

I've surpassed

I'm finally becoming a fan
Of my present
After months
After weeks
After days
After hours
After minutes
After seconds
I'm finally living
In my moment

by Chihoro

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Solany Lara Solany Lara

Mis antepasados viven

I never got to meet todos mis abuelos.

They did not grow viejos to see me grow up.

Some did not even get to see my own padres grow.

Sickness took them too soon from us,

but they still live in me. Abuelo Jesus lives

in the strokes of my pen on paper,

porque él también era escritor y maestro.

Abuela Agustina stares right back at me from the mirror

with her beautiful big brown eyes and skin.

Abuelo Pancho lives in my hard work and efforts,

as I put my heart in everything I do.

Abuela Soco aún vive, compartiendo

sus consejos, rezos y chistes con sus nietos y bisnietos.

Aún viven todos mis abuelos.

En mí y en mi modo de ser.

by Solany Lara

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Yulin Huang Yulin Huang

Magic

(TO MAKE) THE IMPOSSIBLE


[AT LEAST CONSIDERABLE ]

SUCH IS THE WAY

OF WHAT SOME CALL “MAGIC”

WHEN IT

IN FACT,

UNFOLDS EVERYDAY IN FRONT OF OUR EYES

CRUELLY,

UNJUSTLY,

FORCEFULLY,

TIL WE CANNOT TOSS AND TURN ANYMORE

“IT GRINDS MY GEARS”

I’LL SAVE MY TEARS


FOR A TIME-WHEN-TIME FEELS

[AT LEAST CONSIDERABLE ]

by Yulin Huang

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Gamze Şanlı Gamze Şanlı

celestial bodies

my map of ‘home’ looks more like a constellation of stars

connected by whatever we call aether

dark matter

spirit



connects all the bodies


by Gamze Şanlı

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Sheba Montserrat Sheba Montserrat

UNWANTED VISITOR

Why when you want relax

An’ jus’ chill out

You neighbour come 'roun'

An’ wan’ run she mouth.

You open de door

An’ before you say ‘come in’

She inside you house

Wid you bottle ah Gin.

She tek out she Embassy

An’ you heart start fu grieve

‘Cause once she start smoke

It mean she nah leave!

She start pan de Gin

An’ bwoy she drink plenty

But whenever she visit

She two han’ dem empty.

Now she start drink

She ready fi chat

An’ it’s only now she a tek off

She coat an’ she hat.

Victim number one

Pan she gossip agenda

Is she best friend, an she enemy

A girl they call Brenda.

She chat ‘bout Brenda

She say Brenda chat ‘bout she

An’ when de two a dem togedda

Me know dem chat ‘bout me.

She say she want to sue de council

She twis’ she ankle, the other day

An’ it was pan dem prapatee

So dem mus’ pay.

Now she’s a strong woman

But I really don’t tink

Dat she had any business;

a wash she foot

In a public toilet sink!

She a sip sip she drink

Now she hungry an’ want eat

She cuss me say me can’t cook

Cause me no eat meat.

After she eat

She use de phone

She start tek out she plait

An’ beg me a comb.

She half-finish she hair

an’ say she a go

She put on she coat

an she hat.

She si’ dong,

drain she glass…

An’ still she a chat!

Me put on de T.V

Fu try drown she out

But not even concord

Is louder dan she big mouth!

At last she ready fu leave

Me walk she to de door

She borrow ten pound

An’ chat five minute more.

De only reason she leave

Is ‘cause de bottle a Gin don

Lord have mercy

If she did ever spot de rum!

by Sheba Montserrat

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Adefela Olowoselu Adefela Olowoselu

Company

I give my dying passions a warm goodbye,

thank you for helping me.

They are loves I’m no longer fixated on,

unfinished stories with pens drying beside them

and movements I grew away from

In leaving them all I forged an extension of myself;

an incomplete project is still worth commendation

for once it kept me company

and that’s all there is to it

I’m no longer frustrated by what I stop doing,

lose interest in,

simply abandon

For my heart knows when it means a lack of effort

and that is a different story

But to the things that faded away with time,

I appreciate what you did for me.

And I look forward to what I’ll embrace in the future

while holding tight to my current loves

as if I’ll never let them go.

by Adefela Olowoselu

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Jess Semaan Jess Semaan

Beirut is my mother

Interrupted

I found my mother at the Korean spa

She bathed me with coconut milk then rinsed me with bear hands

She asked how old I was

I said 5

“I am Esther” she whispered

I teared up and turned away

Where was mother all those years?

At the Korean spa? In Japantown?

Today, I am grieving

I know it when I am binging investigative journalism

The truth requires work

And my mother did not love me

And it took six years of investigating on a couch

How come grief won’t leave?

I walked up a hill to a place I used to work before we were interrupted

A lockdown, an explosion, an orange smoky city made it so I won’t get to be a therapist with a couch

Maybe I get to be 5 until I am interrupted again

On the steps of the clinic

Where we wrote clients’ cancellation by hand

I write in my journal

Is it enough to write?

I meet beautiful compassionate white people in San Francisco

They have a lot of energy

My body is sinking into a sea of coconut milk

Will they save me?

The clock ticked and it had been an hour

Esther was no longer my mother

I am no longer a therapist

by Jess Semaan

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Chan Seraphina Ahadi Chan Seraphina Ahadi

Untitled

my mind is not my body,

my body is not my mind

and yet i find

my thoughts

drift from atom

to atom,

piercing my veins

as if to pierce my flesh

as if to pierce my soul,

as if to say

these words hold weight,

hold meaning

hold space

take breath,

from one lung

to the other,

planting seeds at the root of my tongue

sprouting leaves that overflow

into streams of consciousness

that transcend linear ways of

thinking

and being

and feeling

extending from my soul

as if to take flight

in search of a greater place

to further emphasise their worth.

by Chan Seraphina Ahadi

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Nia Nia

Untitled

if life was black and white,

your cigarette would light mine,

dewy summer skin shed as

we unstick ourselves.

raspy throats and cloud breath trailing up,

lunar

path.

i’m tugged to the memories of our heeled

footprints in

dry soil, crushed leaves, frozen mud.

we were there,

we are here

were we?

i wish you stayed crystalline,

i wish I never knew you.

my feet soak up puddles,

kohl tears and pearls perched atop velvet gloves,

your black trench feebly

grasps the remaining

tortoiseshell button,

pocket stuffed with napkin notes.

you and I,

once blazing, you and I,

now starved,

soot and char of a fallen star, wax droplets

mimic Daedalus’’ despair.

jasmine still rests on my sleeves as I watch

our ashes leak

through

my

fingers,

our love choked the spark we worked so hard to ignite.

by Nia

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Abigail Tucker Abigail Tucker

A Canvas Over the Crack in the wall

Inspired by the Eunice Olumide’s essay “Programmed […]” from the book ‘loud Black Girl’


There is a canvas,

That depicts me as a the obedient ‘Mama’ of the south. Comedically unattractive compared to world Beauty standards, and unequivocally satisfied with her life, as the servant of the one who has gone With the wind.

There is a canvas,

And on it my body is curvy with pain filling my back rolls. My mouth is bigger than my head and it is Filled with rage, and my loudness transcends whatever age I might be.

There is a canvas,

With a cape on her back and scars on her front, she holds that weight of an empty wallet, and Unforeseen circumstances. Her family is considered “broken” but this inspires those who say that she Flies above all, onto the next challenge with her formidable toughness.

This next canvas,

Features lips, cheeks, boobs, lace fronts, lashes and all.

Phenomenally sensual and free.

And eye candy to the man who condemns with his mouth while his hands shake with excitement

And the bête noire to his wife who is the antithesis but loves to rock “boxer braids” in the

Summertime.

This gallery exists within the wide span of media but the small frame of our screens.

These canvases can be used to categorise at the expense of my demise.

Because I’m not familiar to their eyes, so I must not be… black enough.

Paint spreads onto the next and the next,

Causing layers to solidify over parts of the truth.

The paint is tough like I am

Supposed to be.

But what if submissive, loud, curvy, and sensual does not depict my phenomenality?


Am I too soft to wear the cape?

Too shy to be loud?

Too skinny to be sensual?

Do I even qualify to enter this gallery of what is perceived as a strong black woman?

These questions wonder my mind as I fade into the stereotype of who people believe I am supposed

To be.

As if us, without categories is terrifyingly wide.

A plethora of possibilities that the socially constructed mind can’t even begin to comprehend.

As if there is no time left to learn and accept absolutely all of us.

When do we grab the kitchen knife and neatly slice through each flat canvas to reveal the Multidimensional effigy of a black woman?

All shapes and shades.

All crowns and armour.


Expanding the colour palette of Brown skin beauty and transforming the picture of 100 synonyms into

A community of a thousand definitions.

Loudly and gracefully.

Showing the world that we are more than pain.

We are a foundation of joy, wisdom, and light, from matriarchs to minors.

by Abigail Tucker

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Liliana Tucker Liliana Tucker

Who are you?

There is her


Who sits on her humble throne in the living room

Unknowingly controlling you all


She sits and knits and gossips


Like she used to do with her aunties and cousins

Back home


The home she left when she was 19


After the birth of her third child


The one they call your mother

So here you sit between your cousins

Chocolate brown and lily-white


You are somewhat brown


Olive, is what they tell you

But you’re more beige


Brown and white


A muddle on a paint palette


Not enough red or blue to make you human

A grey-green sludge on a page

No-one claims you

So you claim yourself

It doesn’t make sense that they call your brother

A terrorist and a paedophile


Yet you are exotic and beautiful


Your noses are exactly the same though

Not quite west


Not quite east


Just a little crooked with a low rounded point

At what point do they consider you human?

by Liliana Tucker

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Fowsia Fowsia

Just the Inside. Please.

There is history in the layers

Peel back the rib cages

Examine the lungs

Root around for the kidneys

They all hold lies, rotten

With your fork stab the heart

Watch the air pour out

Steal the helium and blow it into the ears

Expand the brain numb the mind

There is history somewhere

You are keeping it locked up

How can you expect respect?

When you can’t even have a little fun

Take your insides and throw them on the wall

You’re hollow anyway

Why not make a little money on the side

There is history in the layers

There are scars on your appendix

Deliciated placed in your time in the womb

Does it not sting to swallow?

Do you not feel embarrassed?

You are a machine missing parts

A hotdog without the bun

The buns the best bit,

you don’t even come with mustard

there is history in the layers

So, go ahead add another

You were never going to break…

Generational trauma

by Fowsia

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