Poetry

poetry is not a luxury. It is a vital necessity of our existence ~ Audre Lorde

Hannah Hannah

In heat.

It’s the heat that kills.

When I lie in bed and it seeps through me pooling in that inferno,

I forget what the flames eat first, and what evil lurks beneath,

Or within, but I hold my breath until it stills.

I wait and linger and plead, but the darkness wants everything to do with me.

It fills me until the cracks smooth over and I kick at covers.

When I was smaller, you would tell me to leap from the sheets,

Grab everything I could hold onto; now my hands work against me and I no longer use yours.

For a while I held on, cramming the space around me and then it turned to great waves,

No longer driftwood on the strange tides, but jetsam trashing my shores.

I loathed these walls and the ice that crept around me,

Teetering along edges and finding me weak.

When I can no longer reason, it is your name I speak,

Then the flames swell and flicker and part.

I descend further and stop to see your face from below

And remember how it felt long ago to sit by your side and burn

When I used to wait for sparks to take flame.

It is the embrace of time I only know so dear,

Yet I hope to see you come back around here.

by Hannah

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Sheba Montserrat Sheba Montserrat

The Dance Manifesto

I think, leaders of countries should be made to dance in public, be they dictators, monarchs or the head of a republic.

Before being sworn in crowned or inaugurated, leaders should first display unadulterated, physical articulation, by way of pelvic thrusts and gyrations, as a symbol of trust, to their nations. After which, they should twerk with ease, to show they aim to work for and please, each and every citizen they serve.

I don’t quite want them to dance in a group or with a partner. Alone, baring their soul, is the daring I’m after. Maybe, they could lead a Conga line, and then, straight into… a dutty wine.

If I, were bestowed, with unconditional power, I would legislate for a complete hour of dance, every day, for everybody. You see, I find it unfortunate and sad, when I hear people obstinate and glad to say, that they don’t like movement, or even music! And though you might disagree with my decree, I guarantee, that to move can improve, the body, mind and souls of individuals. Individuals form nations and nations shape the world!

Now irrespective of frivolities, like, I’m shy, I’m a guy, it’s just not my thing. Or varied abilities, such as the body you live in has limitations. Dance isn’t just for people who can walk, stand up, hear, see and talk. Nor does it seek high education, or low morals. You can be a winner, a happy sinner, a tightwad with a hotline to God. Dance has no preferences or boundaries.

If you can move, you can groove and delight your soul with flow. What you move and how you move it, is up to you! You can boogie in complete silence, to the sensational sensations within. Or sit in a chair and lead the cheer with gestures. Do your thing, it’s yours. Free up and do it, your way!

Movement can be bombastic, lyrical and fantastic. Yes, dance is for everyone; even the clumsy.

So don’t scoff at dad, and say his antics are bad! Try observing him through loving eyes, and hopefully you’ll realise that he’s responding to a joy inside, that’s having a bit of a bumpy ride, exiting his spirit.

The dance elements, of body, space, effort and time, come together to rhythmically rhyme…and make you feel good.

It’s an inner magic, ethereal but oh so real. And though dance is visual the essence, is to feel the feeling and surrender to it.

Try this. After a bad day, take yourself home, smooch with your partner or smooch on your own. Motion releases emotion, and emotion colours motion. Flow with it, go with it and know; that you can dance to remember, just as, you can dance to forget!

Did you ever see Mandela dance? What a King. He so nobly expressed himself through everything God gave him.

Because I know it will take time for most to understand and agree, Mandela is evidence that my decree, is the ideal movement, to take that bold step-for-change, into a new joy filled, world of peace!

Let leaders take a chance and dance. Starting with some pelvic thrusts, for trust!

by Sheba Montserrat

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Adefela Olowoselu Adefela Olowoselu

Did you make it through winter?

Did you sleep through what you thought was winter

with 2 blankets

only to open your eyes and find

that it was still dark,

making you roll over

and stay in bed for longer?

But then,

realising that troubles don’t last,

did you wake up one day

to the sun shining outside,

finally,

onto dry pavements

and windowpanes?

Has it happened yet,

that you feel optimistic

for the year ahead

despite the chaos all around

and uncertainty of each moment?

Among it all,

is joy filling your heart

slowly but surely from the bottom up,

lovingly threatening to stick around

until the end of year celebrations?

Have you yet recognised

the power to do anything you wanted

as the thing that you carried in your arms

day and night

throughout this season

as the dark sky overpowered

the presence of light in your life?

Are you now seeing what is confirmed

as hope at the end of your tunnel?

They said things are looking up

and it’s the first time

you’ve felt that in months

now it’s real

You made it through winter

whether you dragged, drugged, persuaded, or willed

yourself to do it

in the face of all your tribulations

You did it

and you will do it again,

just like you always have.

by Adefela Olowoselu

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Chan Seraphina Ahadi Chan Seraphina Ahadi

euphoric love

this euphoric gaze

is infectious

until i’m stuck in a daze

of love for my people,

i’m in love with my people

basking in their love for me,

all of us riding euphoric waves

unafraid because this joy protects us

see,

we’re connecting with a higher self

a higher way of being and

dreaming

and feeling

and

this joy isn’t fleeing

no,

it’s sprouting new leaves as i speak

reaching for above

euphoric branches reaching news peaks

proving that this love

for my people

and my peoples love for me

will always see us exceed

limitations placed by another

our unity helping us to achieve

the very best

for our growth,

for our people

for our culture

and because of this i can trust

that with us

there is hope

for a future

full of peace,

full of love,

full of joy,

and that is enough.

by Chan Seraphina Ahadi

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Jahmila Jahmila

DO YOU REMEMBER THE DAYS OF SLAVERY

This poem is an ode to Caribbean women (me included) stuck in the rut of the slavery diet, which our tastebuds inherited the tasty trauma of. Salty, fatty meats, placing value on animal produce and devaluing nutritionally dense food isn’t something that can go unspoken of when the conversation of slavery arises. Especially not in a diasporic community where women and men are twice as likely to contract prostate and breast cancer in comparison to white counterparts. Slavery still lingers and the effects have never required observation or sight alone. The effects are clear through all five senses of pigtail stew peas goodness. The poem explores a conflicting conversation I had with my ancestors about why they chose to pass down recipes that gave my mum high cholesterol and my auntie breast cancer.


Do you remember the days of slavery?

How do you want to remember slavery?

Am I a victim of transatlantic slavery?


Or am I a survivor whooooo...


Bares the same trauma as my ancestors.


Them ask why we still affi talk about slavery...


...Because oxtail, crowfoot and pigs feet still taste so sweet to me


From the likkle scraps massa gave my great great granny


No nutritional value pon it


Di likkle piece a skellion can’t save it


Nuh matter how mi try fi mek it sound healthy


Them ask why we still affi talk about slavery...


...Because food we still ah eat can cause disease

Aunty breast cancer, chemotherapy


Mi ah suck out the bone ah di lamb neck stew


Chew off di gristle pon the chicken back


Links to high cholesterol and heart attack

Mi still nuh want face di facts


But who is to blame for my family recipe

Is it di massa who left di scraps fi my great great granny?


So when them ask why we still affi talk about slavery...


...It’s because plantation food still taste so so sweet


by Jahmila

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Nia Nia

Untitled

like halos adorning the crumbles of history, fog

traces

her fingers over forgotten names, swirling

translucent

cursive along lettered echoes

‘soon, soon, soon,’

withered red, frail skeletal darlings, decaying

romantic lexis on ruins

his preserved body lazes on a wooden frame,

bathing

in my blood

forever the white saviour

we shall know nothing more than what the past

dictates us to believe-

does desire of the truth plague you incessantly?

chains condensed, snugly fit into pages in your

garter,

he rustles against your fingertips

frilled cuffs amidst the shifting shroud of death,

breath fragrant with wine,

laconic noon and stern sun-downs brought

us here

the cyclical link whose hair i adorn with strings of opalescence

a lost soul feeds on the solitary gasping

Marlborough,

the one weighed by the weeping Caucasian

warmed by a honeyed flame

by Nia

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Fowsia Fowsia

The Gravedigger

When I met the fox, he was a gravedigger

‘The years have aged me’ the fox would weep

Every tombstone was shiny


Covered in clingfilm


‘to stop the rain from tearing them to bits.’

In another life, the fox was a criminal


Mother loved bad men


‘I could have been a dancer’ the fox said


‘I had nimble feet’


On tippy-toes, the fox would dance in the moonlight.

There was one particularly special grave

The grave of a badger named Elaina


The fox would scream her name

Pretending it was a performance art piece

I asked him what she did


He replied, ‘she was a master of disguise’

That isn’t a job I quipped


‘and yet she was always working’

Love could not be laughed away


Still every night the fox had a heart for dinner

With a side of fries


‘hold the ketchup please’

I don’t visit the Gravedigger anymore

He calls me on his mobile device

And when he can’t hear me


He calls me Elaina, and I cry

by Fowsia

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Rae Lee Rae Lee

Ramblings of a Born-Again Sinner

For the kingdom of heaven is like a landowner who went out early in the morning to hire workers for his vineyard.” -Matthew 20:1

We see what the kingdom of heaven is like... But what is god like?


We didn’t fail god

god failed us

God is like a child with a “Do Not Enter” sign on his bedroom door. You draw closer, he draws

further way.


With each step toward him, he takes one back.

God is like


a father that walked out on his child.


The child abandoned asking what they did wrong.

god left his people


Long before the “salvation” in the desert.


Long before the exodus.


God left us in the garden


half-naked


exiled.

The first father

Walked out on his first child

Sins of the father as they say

God is like


a distorted mirror


We were created by him


In his image.


How vain


With the task


to love him.


How selfish.

To create something Just for it to love you.

How pathetic.


God is like


the child that


Tires of a toy after he breaks it.

Tossing it aside to collect dust.

God is like


the Fuckboy


That you want to feel closer to

Promises of


Love


Safety


Security


But


Sin disfigured us.


Made us ugly to him.


Ghosted by the Holy

God is like


the teacher that fails his students

Testing us


But


He created a test with no right answers.

And told us to pass.


Knowing we’d fail.


Fuck the test.


He failed us,


Not because we ate the fruit


but because he already ate it too.

God is like


The therapist


You go to at


Your most desperate


Weakest


Most vulnerable


He mocks your weakness


Twists the knife


In your mind


Mutilates your thoughts Nothing left but a

Lobotomized husk


God is like


The rebel leader


His gaslit torch


Promising


Rebellion


Disruption


Revolution


All the while Sowing seeds of

Conformity

Corruption

Suppression

His perfection is a lie.


Thinking if they were better


Then dad would have stayed.


The father failed his child.


God failed his children.


God’s not dead, he’s just not here right now.

God is like


The landowner


That hikes the rent


He works you in his fields

Only for you


To pay him back the wage

As you toil for your pennies

He snatches them away

Yes, god’s kingdom is like a landowner

who went out early in the morning to hire workers for his vineyard.


by Rae Lee

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Sariah Lake Sariah Lake

a woman (first) & a writer (last)

he puts pretty stones in my pockets

the ones to make me smile

they pull me to the earth

i am low

i am heavy

i can no longer be beautiful

when i want to be listened to

i can no longer have pretty lips

when i want to make them move

by Sariah Lake

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Grace Blessing Grace Blessing

Treasure your worth without measure

Seek to be worth knowing rather than being well known,


Since thats the beauty of letting your true essence take the throne,


Quality over quantity because the company you keep will help you flow towards your growth,


Circle carefully radiused makes it hard for any thorns to edge inside your sacred home.

Seek validation from within as that way you will always win,


The grooves, curves, scars and even the imperfections you may want to change; Is what makes your beauty truly radiate!

Finding comfort is promoted as an uncommon lane,


But appreciate the skin that you are in;


Remember we are not all meant to look or behave exactly the same.

If societal constructs or media platforms were non-existent today,

Tell me; Would divide and conquer still underplay?

by Grace Blessing

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Maria Maria

Nina Simone Was a Force of Nature

Maybe that’s why everything she did

canceled out


the divine feminine

her call remained on silent

fans handed her

nature to pay her after shows

as if it showered her

in love, summer rain some-


thing she never experienced at home growing up, the mark of a true artist is they never intended

to be famous and then they get labeled crazy for loving

what they do, some do end

up, but she will never

not be crazy

talented in my charcoal eyes

bouquets and

cricket

claps

that sprinkled


incremented nourishment. Yes, seeds & overcrowding weeds her hands slaved in soil, black

on the surface and even further

down


the road her parents paved


for a family tree of burned bark, brown

wading through the saffron

dandelion fields, eating


sour fruits

of their labor, sickening

howls for money to hold


a love she never was around

growing

up to keep her

apartment from crumbling,

this is the ugly part offstage

where an audience partitions

artist from Art is the starving,

the daily news


feed, sees a person as purely an image

Venus fly trap she was predestined to

nurture the feminine thirst, undeniable

will to feed to quench, indeed,

she had the mother


load, pockets full of

blaring blackness glaring back at her

tar-coated trust almost so dark

becomes invisible paper


bag over face, cover like Claudia

Rankine’s black hoodie

figure against a stark

white background, back again

mistaken for a creature


no choice, Mississippi

Goddam, kick cans in


a crumbling city until it’s

rebuilt with revolution, footfalls

eery echoes the immaterial

that sustains

trashed pothole


streets, riddled with plastic

people, washed-out, watch out


she will point trigger fingers if you stand

in the way of her


first love, Bach

weathered concrete, vermon was the man

-made ever two-way in giving, supporting

the soles? She asked no


one in particular.

No cents at her feet, not even a dirty penny. We could waste time


by listing the basic living swept cunningly from her soles, those rich roots

command

to be secure, an Earth Song 2.0

instead of their strength ravaged

all she wanted was love from the ground

up.

by Maria

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Chihoro Chihoro

Why Does My Body Hate Me?

Electricity courses up my left leg
Leaving a trail of static
That plucks at random strings of sinew
Water droplet slides down the side of my face
I go to wipe it away
My hand comes back dry
Formication
My brain is cheating on me
With my senses
All the while
The bones in the balls of my feet
Grind into the concrete
Despite the padding of the insoles
Jammed into my shoes
Another pair to despair
All the while
The muscles entwined
Beneath my right scapula
Pulsate with a dull ache
And my teeth unconsciously grate
Why does my body hate
Me?

by Chihoro

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Rae Lee Rae Lee

On Father's Day I dreamed about you

On Father’s Day I dreamed about you


Nearly a year has gone by


And I’ve thought of you maybe a handful of times

With each passing, intrusive thought


I roll my eyes


And continue my day

But


On Father’s Day I dreamed about you


I dreamed of all the things I’ve wanted to say to you

The profanities I’ve buried inside for nearly a year

All came bursting out

Each syllable leaving my lips


Sharpened and piercing you


The way your lack of words have pierced me

On Father’s Day I dreamed about you

At the end of the dream


You drove off


Crying and pathetic

No apology


No embrace


Just driving off


Again without a word

Abandoning me

It’s not new


Should be used to it

But still


It hurts


And


I hate you for it

I want to say that I could forgive

For your inaction and bigotry

But I never will


Even if we reconcile

I will never forgive you

On Father’s Day I dreamed about you


And I woke up


Not relieved for finally getting to say all of those words to you

But sad

Because it was only a dream

On Father’s Day I dreamed about you

And I hate you for it

by Rae Lee

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Sariah Lake Sariah Lake

Seventeen

they will never have you like this again

pretty and fresh

empty stomached, open palm

you are adventurous

having been nowhere

drunk on life

but cannot buy a beer

they will write songs about you

and wide eyed you will listen to them

eat what they give you from their hands

make their little a lot

their nothings into somethings

and in turn they will call you woman

to hide how much they like you as little girl

they will never want you like this again

pretty and easy

painfully, blindingly easy

seventeen

by Sariah Lake

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Chihoro Chihoro

Finally

I'm finally becoming a fan
Of my own
After centuries
Of indoctrination
Of misinformation
My love for my own
Has grown

I'm finally becoming a fan
Of my future
After decades
Of trepidation
Of catastrophisation
It appears times better
Will enter

I'm finally becoming a fan
Of my past
After years
Of confusion
Of humiliation
I've raised my mast

I've surpassed

I'm finally becoming a fan
Of my present
After months
After weeks
After days
After hours
After minutes
After seconds
I'm finally living
In my moment

by Chihoro

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Solany Lara Solany Lara

Mis antepasados viven

I never got to meet todos mis abuelos.

They did not grow viejos to see me grow up.

Some did not even get to see my own padres grow.

Sickness took them too soon from us,

but they still live in me. Abuelo Jesus lives

in the strokes of my pen on paper,

porque él también era escritor y maestro.

Abuela Agustina stares right back at me from the mirror

with her beautiful big brown eyes and skin.

Abuelo Pancho lives in my hard work and efforts,

as I put my heart in everything I do.

Abuela Soco aún vive, compartiendo

sus consejos, rezos y chistes con sus nietos y bisnietos.

Aún viven todos mis abuelos.

En mí y en mi modo de ser.

by Solany Lara

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Yulin Huang Yulin Huang

Magic

(TO MAKE) THE IMPOSSIBLE


[AT LEAST CONSIDERABLE ]

SUCH IS THE WAY

OF WHAT SOME CALL “MAGIC”

WHEN IT

IN FACT,

UNFOLDS EVERYDAY IN FRONT OF OUR EYES

CRUELLY,

UNJUSTLY,

FORCEFULLY,

TIL WE CANNOT TOSS AND TURN ANYMORE

“IT GRINDS MY GEARS”

I’LL SAVE MY TEARS


FOR A TIME-WHEN-TIME FEELS

[AT LEAST CONSIDERABLE ]

by Yulin Huang

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Gamze Şanlı Gamze Şanlı

celestial bodies

my map of ‘home’ looks more like a constellation of stars

connected by whatever we call aether

dark matter

spirit



connects all the bodies


by Gamze Şanlı

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Sheba Montserrat Sheba Montserrat

UNWANTED VISITOR

Why when you want relax

An’ jus’ chill out

You neighbour come 'roun'

An’ wan’ run she mouth.

You open de door

An’ before you say ‘come in’

She inside you house

Wid you bottle ah Gin.

She tek out she Embassy

An’ you heart start fu grieve

‘Cause once she start smoke

It mean she nah leave!

She start pan de Gin

An’ bwoy she drink plenty

But whenever she visit

She two han’ dem empty.

Now she start drink

She ready fi chat

An’ it’s only now she a tek off

She coat an’ she hat.

Victim number one

Pan she gossip agenda

Is she best friend, an she enemy

A girl they call Brenda.

She chat ‘bout Brenda

She say Brenda chat ‘bout she

An’ when de two a dem togedda

Me know dem chat ‘bout me.

She say she want to sue de council

She twis’ she ankle, the other day

An’ it was pan dem prapatee

So dem mus’ pay.

Now she’s a strong woman

But I really don’t tink

Dat she had any business;

a wash she foot

In a public toilet sink!

She a sip sip she drink

Now she hungry an’ want eat

She cuss me say me can’t cook

Cause me no eat meat.

After she eat

She use de phone

She start tek out she plait

An’ beg me a comb.

She half-finish she hair

an’ say she a go

She put on she coat

an she hat.

She si’ dong,

drain she glass…

An’ still she a chat!

Me put on de T.V

Fu try drown she out

But not even concord

Is louder dan she big mouth!

At last she ready fu leave

Me walk she to de door

She borrow ten pound

An’ chat five minute more.

De only reason she leave

Is ‘cause de bottle a Gin don

Lord have mercy

If she did ever spot de rum!

by Sheba Montserrat

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Adefela Olowoselu Adefela Olowoselu

Company

I give my dying passions a warm goodbye,

thank you for helping me.

They are loves I’m no longer fixated on,

unfinished stories with pens drying beside them

and movements I grew away from

In leaving them all I forged an extension of myself;

an incomplete project is still worth commendation

for once it kept me company

and that’s all there is to it

I’m no longer frustrated by what I stop doing,

lose interest in,

simply abandon

For my heart knows when it means a lack of effort

and that is a different story

But to the things that faded away with time,

I appreciate what you did for me.

And I look forward to what I’ll embrace in the future

while holding tight to my current loves

as if I’ll never let them go.

by Adefela Olowoselu

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